Sound/Colour Palette and 9 Shots

9 SHOTS

1) Tracking movement through the building and into the basement
2) Long shot of the basement, showing a man lying on the ground in the middle of the frame
3) High angle/Ariel shot of him waking and getting up, staggering
4) Mid shot of mirror, showing him standing up and gaining balance
5) Mid shot of the man from behind, walking into the main area and starting to look around/explore
6) Close up of half of his torso and hand trailing over objects
7) Mid-close up of man's face and shoulders from the side or 3/4 behind, showing a scared/confused expression
8) High angle of man stopping at the base of stairs, looking up
9) Slightly low angle and mid shot of another man, at top of the stairs, showing his dominant role compared to the vulnerability of the protagonist.



COLOUR PALETTE 

This colour palette shows the most prominent colours to be shown in our film opening. The black and white will be used for the title and credit scenes, inspired by the block colour screens shown in Stanley Kubrick's 'A Clockwork Orange'. The brown will be accompanied with many other warm shades, and this is the main colour scheme in the building we are filming in. The pink and red will be used as lighting in the basement.

SOUND PALETTE

• A voicemail message recording will be used over the tracking shots through the building at the beginning of the opening, the variation of messages from different types of people will give indication into the narrative and what the protagonist is like.
• 1930's jazz music  may be used when the protagonist is exploring the room he is in, he could turn a radio/ put a cassette in a tape player. This music will juxtapose with the confusing and frightening atmosphere he is in. Contrapuntal sound is fairly common in horror films, and this will create a sense of perhaps fear and confusion.
• White noise or a sound similar  might be combined with the jazz music to highlight the disorientation that the protagonist is experiencing.